As the new school year has kicked off, I have had the opportunity to meet a vast number of people. As with any introductory conversation, various questions were asked and answered, such as: Where are you from? What are you involved in on campus? And, of course, What is your major? Being at TU, I have met countless engineers. My response to their major is usually, "I should have guessed that." Of course, like any polite human being should, they return the question: What is your major? With a moderate level of enthusiasm, I simply respond, "I'm an English major." Being a male English major at one of the nation's most renowned engineering schools has been an interesting experience. I find myself having few classes with the majority of my friends and fraternity brothers. I often find myself involved in conversations of a very technical,scientific, mathematical nature with no idea how to contribute any thoughts. It has been quite the black sheep experience.
Don't get me wrong, though, I have loved it. I tried the whole engineering thing my first semester at TU and I was not a fan. Over the last three semesters, I have found a love for Modernism. I find myself fascinated with fragementation. I love shifting perspectives. I love unhappy or unresolved endings. I love brutal realism hiding behind carefully crafted images and texts. In addition, I find that I can often express myself more accurately (and eloquently) through writing.
Recently, I have noticed that I speak somewhat differently than I type. In this instance, I am referring to text messaging. I often text my friends and love to keep in contact with them. However, I find myself putting an extreme amount of care into crafting each message. I simply care a lot about how a message looks. I care about how the words appear on the screen, and how that appearance relates to my meaning. I find this to be an interesting connection between thinking and technology because it certainly impacts my communication. All in all, technology seems to cause me to pay special attention to the visual.