The tone of The Owl is an interesting contrast to the modern, radical tone that categorizes the majority of the magazines found in the MJP. The Owl, edited by Robert Graves, only had three issues, two published in 1919 and one published as The Winter Owl in 1923. The Owl had difficulty taking off for multiple reasons, but one of the main reasons was because of its refusal to take a modernist approach which gave it an anarchronistic label.
Both the cover and the foreword of the first magazine only help to give it a conservative feel. The cover and many of the illustrations within the magazine remind one of illustrations that would function well in a children's book. They are generally bright and innocent illustrations and contrast the sharp, new art often seen in more modern magazines. The foreword (http://library.brown.edu/cds/repository2/repoman.php?verb=render&id=1174...) establishes that the magazine has no intent of making a political stance or attaching to any movement. Indeed, the magazine issues are mostly filled with poetry that avoids the hot topics of war and modernism and clings to topics of love and nature. Unfortunately, Graves concept was too escapist and conservative and eclectic to last long in the midst of the modern magazine movement.