"A Game of Chess" Annotations
From The Waste Land Wiki
(→Stanzas 97-103) |
(→Google Map of A Game of Chess) |
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Go to [[The Waste Land Text]] | Go to [[The Waste Land Text]] | ||
| + | ==Essay on A Game of Chess== | ||
| + | [[To the Essay]] | ||
| + | |||
| + | Go back to [[The Waste Land Text]] | ||
| + | |||
| + | Go back to [[Shoring Up Fragments Against Our Ruin: Quotations and Allusions]] | ||
==T.S. Eliot Reading "A Game of Chess"== | ==T.S. Eliot Reading "A Game of Chess"== | ||
| − | <videoflash type=youtube>DMoZVfH8_sU</videoflash> | + | <center><videoflash type=youtube>DMoZVfH8_sU</videoflash></center> |
| − | == | + | ==Lines 77-96== |
===William Shakespeare=== | ===William Shakespeare=== | ||
| Line 40: | Line 46: | ||
and blazing torches burn the night away. | and blazing torches burn the night away. | ||
| − | == | + | ==Lines 97-103== |
===John Milton=== | ===John Milton=== | ||
| Line 46: | Line 52: | ||
Above the antique mantel was displayed | Above the antique mantel was displayed | ||
As though a window gave upon the sylvan scene | As though a window gave upon the sylvan scene | ||
| − | + | Lines 97-98 | |
| − | Lines 97- | + | From ''Paradise Lost''. |
| − | From | + | |
| + | A Silvan Scene, and as the ranks ascend | ||
| + | Shade above shade, a woodie Theatre | ||
| + | Of stateliest view. | ||
===Ovid=== | ===Ovid=== | ||
| − | + | Above the antique mantel was displayed | |
| + | As though a window gave upon the sylvan scene | ||
| + | The change of Philomel, by the barbarous king | ||
| + | So rudely forced; yet there the nightingale | ||
| + | Filled all the desert with inviolable voice | ||
| + | And still she cried, and still the world pursues, | ||
| + | “Jug Jug” to dirty ears. | ||
| + | Lines 97-103 | ||
| − | + | From ''Metamorphosis, VI Philomela'' | |
| − | + | Throughout ''Metamorphosis'' there is constant mention of birds creating sounds. | |
| + | <br> | ||
| + | Only a cock stood on the rooftree | ||
| + | Co co rico co co rico | ||
| + | In a flash of lightning. Then a damp gust | ||
| + | Bringing rain | ||
| − | == | + | ==Lines 104-110== |
| + | |||
| + | ==Lines 111-127== | ||
===William Shakespeare=== | ===William Shakespeare=== | ||
| − | + | Those are pearls that were his eyes. | |
| + | Line 125 | ||
| − | Go | + | From ''The Tempest'' |
| + | Ferdinand: | ||
| + | Full fathom five thy father lies; | ||
| + | Of his bones are coral made; | ||
| + | Those are pearls that were his eyes: | ||
| + | Nothing of him that doth fade | ||
| + | But doth suffer a sea-change | ||
| + | Into something rich and strange. | ||
| + | Sea-nymphs hourly ring his knell | ||
| + | ''I.ii The island. Before PROSPERO'S cell.'' | ||
| + | |||
| + | ===John Webster=== | ||
| + | |||
| + | “What is that noise?” | ||
| + | The wind under the door. | ||
| + | Line 117-18 | ||
| + | |||
| + | From a Jacobian tragedy stageplay ''The Devil's Case'' | ||
| + | |||
| + | “Is the wind in that door still?” | ||
| + | |||
| + | ==Lines 128-138== | ||
| + | |||
| + | ===The Mysterious Rag=== | ||
| + | O O O O that Shakespeherian rag— | ||
| + | It's so elegant | ||
| + | So intelligent | ||
| + | Lines 128-30 | ||
| + | |||
| + | A popular song called "The Mysterious Rag" by Irving Berlin in 1911 | ||
| + | <br> | ||
| + | Go to: [[Video#That_Mysterious_Rag]] | ||
| + | |||
| + | ===Thomas Middleton=== | ||
| + | |||
| + | The hot water at ten. | ||
| + | And if it rains, a closed car at four. | ||
| + | And we shall play a game of chess, | ||
| + | Pressing lidless eyes and waiting for a knock upon the door. | ||
| + | Lines 135-38 | ||
| + | |||
| + | From ''Women Beware Women'' I.II | ||
| + | |||
| + | It appears from the following passage in our poet's Game Chess that the pieces now called rooks were sometimes formerly called dukes | ||
| + | <br> | ||
| + | Error. There's the full number of the game | ||
| + | Kings and their pawns queens bishops | ||
| + | Knights and dukes | ||
| + | <br> | ||
| + | Ign. Dukes they re called rookes by some | ||
| + | <br> | ||
| + | Error. Corruptively | ||
| + | Le Roc fi the word Custodie de la Roch | ||
| + | The Keeper of the Forts | ||
| + | |||
| + | ==Lines 139-172== | ||
| + | |||
| + | ===William Shakespeare=== | ||
| + | |||
| + | Good night, ladies, good night, sweet ladies, good night, good night. | ||
| + | Line 172 | ||
| + | |||
| + | From Hamlet, a line by Ophelia IV.V | ||
| + | |||
| + | '''OPHELIA''' | ||
| + | I hope all will be well. We must be patient: but I | ||
| + | cannot choose but weep, to think they should lay him | ||
| + | i' the cold ground. My brother shall know of it: | ||
| + | and so I thank you for your good counsel. Come, my | ||
| + | coach! Good night, ladies; good night, sweet ladies; | ||
| + | good night, good night. | ||
| + | |||
| + | ==Google Map of A Game of Chess== | ||
| + | <html> | ||
| + | <iframe width="650" height="650" frameborder="0" scrolling="no" marginheight="0" marginwidth="0" src="https://maps.google.com/maps/ms?msa=0&msid=205154771692550258306.0004ce06e080efbd26d9b&hl=en&ie=UTF8&t=h&ll=46.437857,18.544922&spn=39.392382,57.041016&z=4&output=embed"></iframe><br /><small>View <a href="https://maps.google.com/maps/ms?msa=0&msid=205154771692550258306.0004ce06e080efbd26d9b&hl=en&ie=UTF8&t=h&ll=46.437857,18.544922&spn=39.392382,57.041016&z=4&source=embed" style="color:#0000FF;text-align:left">The Wasteland: A Game of Chess</a> in a larger map</small> | ||
| + | </html> | ||
| + | |||
| + | Go Back to: [[The Waste Land Text]] | ||
| − | Go to [[ | + | Go Back to: [[Shoring Up Fragments Against Our Ruin: Quotations and Allusions]] |
